For every generation, a hero rises. For every hero, there’s a story. This is the story of Batman.

Everything that was wrong with the franchise, including the director, production team and approach has been discarded. This is a fresh, clean look at one of DC Comics longest running, and most intriguing, characters.

Gone are the codpieces, the soap opera grade acting, the gratuitous butt shots and nipple rings. Goodbye Joel Schumacher, Tim Burton and George Clooney. Hello Dark Knight, we’ve been expecting you. Welcome darkness.

This is a serious look at the origins of Batman, the first film that answers questions like – How and where did he get all those wonderful toys? Who taught him to kick ass? Why is the bat his symbol? Patience, all is revealed in a stunning two hour and fourteen minute narrative.

What works about Batman:
1) Actors. Every actor is perfectly cast and directed properly. There’s no stiff delivery or overeager method crap here. Bravo, Christopher Nolan!
2) Narrative. The story flows, never drags, and always entertains. A sign of the narrative’s strength: based on what we’re shown, the plot is feasible. It’s not a question of wanting to believe in Batman and giving the movie the benefit of the doubt. Rather, this is Batman, check him out on the screen.
3) The Batmobile. Best bat transport vehicle yet.
4) Tone. This is not a soap opera drenched with glib jokes and carnival colors. Under the reign of Schumacher I thought everyone might break out in song and touch themselves ( and perhaps the audience too ). Instead, it’s a serious look at Batman’s origins, with the proper blend of humor and drama.
5) Gotham. A great looking Gotham, and the first that feels like a real city instead of a set. Real, but with an edge and tinge of comic book netherworld.
6) Score. We all love Danny Elfman, but it was time for a new sound. This classical themed backbeat is the finishing touch that takes the film to the next level.

Verdict: Theater full price. Buy the DVD and invite me over.